Entropy is an inquiry into the relationship between order and chaos, between an original structure and the transformation of matter over time. It takes its foundation from Louis Kahn, who understood architecture as the search for the inner order of things and the revelation of what a material truly is. Every material holds its own law, and to design is to listen to that law and bring it to its fullest expression. The material stays exposed. Seams remain visible, edges stay raw, and the imperfections are kept and treated as part of the process. The collection begins from an original, archetypal form, a clear and legible structure that comes before the design itself. Each garment is built from autonomous parts that speak to one another, panels, layers and overlapping surfaces, so that the act of layering becomes a society of rooms where distinct elements strengthen each other through composition. Entropy then acts on this structure. Tears, irregular stratifications and knitwork introduce a tension that alters the initial purity without destroying it, and the cut and the deformation reveal the hidden structure of the garment the way ruin reveals the essence of a building. Every wound opens a space, every overlap generates depth, every void becomes active. The silhouettes stay solid and essential, monumental in a primary sense, evoking the idea of a fortress or a citadel that holds and protects the body. This permanence is crossed by time and by the disorder that works on every structure. Entropy carries the lesson of Kahn into the language of fashion, form as a harmony of parts, matter as truth and construction as an act of awareness.